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Person calmly pinching their nose during a seated dry equalization drill
Equalization beginner 2 min read

Dry Equalization Practice: Preparing for Coaching

Use dry practice to understand equalization vocabulary, record useful observations, and prepare for supervised lessons without chasing pressure.

Published Sep 3, 2026 · Updated Sep 10, 2026

Dry practice is a way to notice movement and explain difficulties to a coach. Success on land does not establish that a technique will work during a descent.
Dry equalization drills help you find the small movements that are hard to learn while descending. They can make Frenzel vocabulary clearer before you get on a line.
Keep dry practice gentle and limited to the task your instructor has shown you. Stop for pain or dizziness; ongoing symptoms need medical advice, not more repetitions.

What dry drills are for

Dry drills are useful for identifying glottis control, soft-palate position, tongue movement, jaw relaxation, and head posture. They give you a better chance of understanding coach feedback.
They are not proof that the skill works at depth. Water adds timing, stress, buoyancy, and pressure changes.

Set one learning objective

Start with a movement your instructor has already demonstrated. Ask them to identify what you should notice and what they want you to avoid. Keep the task separate from breath-hold training.
  • Choose one cue rather than combining several unfamiliar drills.
  • Use ordinary breathing between attempts and keep your jaw and shoulders comfortable.
  • Stop when the movement becomes strained, confusing or uncomfortable.
  • Write down the difficulty instead of trying harder to create pressure.
Freediver paused at the surface holding the descent line
Moving a skill from dry practice into the water is a separate learning step.

What not to do

Do not practice forceful pressure. Do not keep trying through ear pain. Do not combine dry drills with maximal breath-holds or solo water practice.
Dry work should make the next coached session clearer, not more aggressive.

Bring notes to the water

Write down what you can and cannot feel: glottis closure, tongue movement, one-sided ear response, jaw tension, or confusion about soft palate position.
Bring those notes to the next lesson so the instructor can observe the specific difficulty.

A useful practice note

A note such as “I can repeat the movement while seated, but my chest starts moving when I tilt my head” gives your instructor something specific to examine. “I did fifty repetitions” says much less about coordination.
Record the cue used, whether the response was repeatable, and any difference between the ears. Ask the instructor which observation should guide the next exercise. Do not infer a diagnosis from an asymmetric response.

Common questions

Can dry drills fix equalization?
They can help you understand the movement, but in-water timing and relaxation still need feedback.
How hard should dry equalization feel?
Gentle. Forceful pressure, pain, or dizziness means stop.